1. |
Time is a circle
02:34
|
|||
Nobody wants to deal with reality.. because reality has gotten to be too disgusting.
We are on our way to the dark ages again. That's what we're looking at right now: it's not just 1984 !
We're looking at something that is gonna make the first dark ages seem like a company picnic !
Because there's just so many more utensils that can be used to keep the population in the dark and stupid, and under control.
|
||||
2. |
The invisible war
03:20
|
|||
There's a war going on outside.
No one's safe.
Even though you can't see the war happening, it's always there.
Whether it's in the mind, whether it's a psychic attack, or you're not feeling.
Or being at war with yourself or feeling like the world is at war with your spirit.
These are states that you have to navigate.
***
- This is where, you know.. this is where I hide from the apocalypse basically... from the oncoming apocalypse, which is.. approaching very soon: run, hide.
- What's the apocalypse you're hiding from?
- Oh you didn't know that the apocalypse was here? You didn't realize that we're in the middle of world war 3 and that we're gonna die soon? No ? You didn't know that??
We're gonna die !
|
||||
3. |
Mirrors & windows
02:47
|
|||
Your beliefs form reality.
Your beliefs meet you in the face when you look in the mirror.
They form your image.
You cannot escape your beliefs.
They are however, the method by which you create your experience.
If you believe that the world is against you, then so it will be in your experience.
And if you believe that people mean you well and will treat you kindly, they will.
Then I am telling you to be aware of the contents of your conscious mind.
Your events, your lives, your experiences are caused by your present beliefs.
Change the beliefs and your life changes.
|
||||
4. |
Our own eclipses
03:11
|
|||
- We birth our own eclipses
- No more moon phases, just all out complete darkness...
- That's right ! Which is it all began anyway.
|
||||
5. |
Ancient future
03:44
|
|||
I've always felt very sad with pop culture.
Especially the Andy Warhol, and all that period which was all about erasing mythology and erasing the past, and cutting the cord from all past. And that shoot the roots down into Campbell soups, and plastic, and manufactured, and mass-made polka dots.
I've always thought that one could shoot the roots five thousand years back at all the mythology one has from nature and from country, and still be completely modern.
So my role more has a musician (is) to connect the ancient mythology and the future.
|
||||
6. |
We are the technology
02:52
|
|||
We are the technology.
And poetry is code.
The drum... as the first form of wireless communication.
When we look at modern devices...
As long as they are dependent on those unnamed workforces in the Congo.
As long as they are dependent on all of these resources.
I'm not impressed with that, as technology.
Because technology is supposed to move us forward.
Not continue some sort of analog exploitation that has gone on ever since.
Art is powerful !
Art can mean something, art can change lives !
Art can progress society, art can uplift society !
Art can free fucking life sentences !
Yes, the lawyers play their role !
Yes, the activists play their role !
Yes, we all play our role, the school teachers: everybody has to play their role !
Art is to remind you of the purpose of playing that role.
|
||||
7. |
||||
I think artists have this incredible job to do, which is that, we can talk about what is not yet, but what could be.
Your job is to make the revolution irresistible, to make it appealing, you know.
That in every image you take or film you make or character you embody:
How are you pointing to the world that you want to invite in?
And how you are saying "no" to the world that is so clearly broken and crumbling, you know, very evidently all around us right now ?
I feel a tremendous sense of optimism about having to face where we actually are.
And then having to do the really hard work of collectively dreaming together a completely new way of being.
And then, you know, using art, and writing, and poetry, and images to like... walk there together.
|
||||
8. |
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9. |
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10. |
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11. |
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12. |
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13. |
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14. |
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15. |
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16. |
93bpm_Track01Samples_01
00:07
|
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17. |
93bpm_Track01Samples_02
00:12
|
|||
18. |
93bpm_Track01Samples_03
00:31
|
|||
19. |
93bpm_Track01Samples_04
00:03
|
|||
20. |
93bpm_Track01Samples_05
00:33
|
|||
21. |
93bpm_Track01Samples_06
00:21
|
|||
22. |
93bpm_Track01Samples_07
00:39
|
|||
23. |
93bpm_Track01Samples_08
00:19
|
|||
24. |
93bpm_Track01Samples_09
00:20
|
|||
25. |
93bpm_Track01Samples_10
00:10
|
|||
26. |
93bpm_Track01Samples_11
00:26
|
|||
27. |
93bpm_Track01Samples_12
00:09
|
|||
28. |
93bpm_Track01Samples_13
00:01
|
|||
29. |
93bpm_Track01Samples_14
00:18
|
|||
30. |
93bpm_Track01Samples_15
00:11
|
|||
31. |
93bpm_Track01Samples_16
00:10
|
|||
32. |
93bpm_Track01Samples_17
00:10
|
|||
33. |
93bpm_Track01Samples_18
00:20
|
|||
34. |
93bpm_Track01Samples_19
00:10
|
|||
35. |
93bpm_Track01Samples_20
00:06
|
|||
36. |
93bpm_Track01Samples_21
00:06
|
|||
37. |
93bpm_Track01Samples_22
00:03
|
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38. |
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39. |
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40. |
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41. |
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42. |
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43. |
||||
44. |
80bpm_Track03Samples_07
00:33
|
|||
45. |
80bpm_Track03Samples_08
00:54
|
|||
46. |
84bpm_Track05Samples_01
00:24
|
|||
47. |
84bpm_Track05Samples_02
00:47
|
|||
48. |
84bpm_Track05Samples_03
00:04
|
|||
49. |
84bpm_Track05Samples_04
00:15
|
|||
50. |
80bpm_Track06Samples_01
00:12
|
|||
51. |
80bpm_Track06Samples_02
00:12
|
|||
52. |
80bpm_Track06Samples_03
00:01
|
|||
53. |
80bpm_Track06Samples_04
00:12
|
|||
54. |
80bpm_Track06Samples_05
00:09
|
|||
55. |
76bpm_Track07Samples_01
00:06
|
|||
56. |
76bpm_Track07Samples_02
00:14
|
|||
57. |
76bpm_Track07Samples_03
00:24
|
|||
58. |
76bpm_Track07Samples_04
00:10
|
|||
59. |
76bpm_Track07Samples_05
00:25
|
|||
60. |
76bpm_Track07Samples_06
01:23
|
|||
61. |
76bpm_Track07Samples_07
00:59
|
|||
62. |
76bpm_Track07Samples_08
00:44
|
|||
63. |
76bpm_Track07Samples_09
00:09
|
|||
64. |
76bpm_Track07Samples_10
00:56
|
|||
65. |
76bpm_Track07Samples_11
00:09
|
|||
66. |
76bpm_Track07Samples_12
01:15
|
|||
67. |
76bpm_Track07Samples_13
00:16
|
|||
68. |
76bpm_Track07Samples_14
00:04
|
|||
69. |
76bpm_Track07Samples_15
00:15
|
|||
70. |
76bpm_Track07Samples_16
00:01
|
|||
71. |
76bpm_Track07Samples_17
00:08
|
|||
72. |
76bpm_Track07Samples_18
00:22
|
|||
73. |
76bpm_Track07Samples_19
00:04
|
|||
74. |
76bpm_Track07Samples_20
00:09
|
|||
75. |
76bpm_Track07Samples_21
00:10
|
|||
76. |
88bpm.Fmin_Strings_01
00:40
|
|||
77. |
88bpm.Fmin_Strings_02
00:38
|
|||
78. |
88bpm.Fmin_Strings_03
00:21
|
|||
79. |
88bpm.Fmin_Strings_04
00:53
|
|||
80. |
88bpm.Fmin_Strings_05
00:40
|
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81. |
88bpm.Fmin_Strings_06
00:17
|
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82. |
88bpm.Fmin_Strings_07
01:15
|
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83. |
93bpm.Cmin_PianoPad_01
00:23
|
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84. |
93bpm.Cmin_PianoPad_02
00:25
|
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85. |
93bpm.Cmin_PianoPad_03
00:14
|
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86. |
93bpm.Cmin_PianoPad_04
00:20
|
|||
87. |
93bpm.Cmin_PianoPad_05
00:10
|
|||
88. |
93bpm.Cmin_VocalPad_01
00:10
|
|||
89. |
93bpm.Cmin_VocalPad_02
00:11
|
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90. |
93bpm.Cmin_VocalPad_03
00:10
|
|||
91. |
93bpm.Cmin_VocalPad_04
00:19
|
|||
92. |
85bpm.Dmin_Banjharp_01
00:20
|
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93. |
85bpm.Dmin_Banjharp_02
00:24
|
|||
94. |
85bpm.Dmin_Banjharp_03
00:09
|
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95. |
85bpm.Dmin_Banjharp_04
00:16
|
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96. |
85bpm.Dmin_Banjharp_05
00:47
|
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97. |
85bpm.Dmin_Banjharp_06
00:10
|
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98. |
85bpm.Dmin_Pad_01
00:31
|
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99. |
85bpm.Dmin_Pad_02
00:39
|
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100. |
85bpm.Dmin_Pad_03
00:34
|
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101. |
85bpm.Dmin_Pad_04
00:21
|
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102. |
85bpm.Dmin_Pad_05
00:24
|
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103. |
85bpm.Dmin_Pluck_01
00:20
|
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104. |
85bpm.Dmin_Pluck_02
00:10
|
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105. |
85bpm.Dmin_Pluck_03
00:18
|
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106. |
85bpm.Dmin_Pluck_04
00:11
|
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107. |
85bpm.Emin_Pluck_01
00:14
|
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108. |
85bpm.Emin_Pluck_02
00:12
|
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109. |
85bpm.Emin_Pluck_03
00:32
|
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110. |
85bpm.Emin_Pluck_04
00:32
|
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111. |
85bpm.Emin_Celestine_01
00:14
|
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112. |
85bpm.Emin_Celestine_02
00:12
|
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113. |
85bpm.Emin_Celestine_03
00:32
|
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114. |
85bpm.Emin_DeepPluck_01
00:36
|
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115. |
85bpm.Emin_DeepPluck_02
00:35
|
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116. |
85bpm.Emin_FMpluck_01
00:18
|
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117. |
85bpm.Emin_FMpluck_02
00:27
|
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118. |
85bpm.Emin_FMpluck_03
00:21
|
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119. |
85bpm.Emin_FMpluck_04
00:07
|
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120. |
85bpm.Emin_FMpluck_05
00:06
|
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121. |
85bpm.Emin_FMpluck_06
00:13
|
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122. |
85bpm.Emin_FMpluck_07
00:09
|
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123. |
85bpm.Emin_FMpluck_08
00:11
|
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124. |
85bpm.Emin_FMpluck_09
00:16
|
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125. |
85bpm.Emin_SoftPluck_01
00:05
|
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126. |
85bpm.Emin_SoftPluck_02
00:11
|
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127. |
85bpm.Emin_SoftPluck_03
00:05
|
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128. |
85bpm.Emin_SoftPluck_04
00:16
|
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129. |
85bpm.Emin_SoftPluck_05
00:17
|
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130. |
85bpm.Emin_Synth_01
00:15
|
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131. |
85bpm.Emin_Synth_02
00:21
|
|||
132. |
85bpm.Emin_Synth_03
00:16
|
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133. |
85bpm.Emin_Synth_04
00:28
|
|||
134. |
85bpm.Emin_Synth_05
00:33
|
|||
135. |
85bpm.Emin_Synth_06
00:22
|
|||
136. |
85bpm.Emin_Synth_07
00:17
|
|||
137. |
85bpm.Emin_Synth_08
00:38
|
|||
138. |
90bpm.Emin_Angel_01
00:15
|
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139. |
90bpm.Emin_Angel_02
00:26
|
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140. |
90bpm.Emin_Angel_03
00:18
|
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141. |
90bpm.Emin_Angel_04
00:05
|
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142. |
90bpm.Emin_Angel_05
00:06
|
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143. |
90bpm.Emin_Angel_06
00:25
|
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144. |
90bpm.Emin_Angel_07
00:14
|
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145. |
90bpm.Emin_Angel_08
00:12
|
|||
146. |
90bpm.Emin_Angel_09
00:10
|
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147. |
90bpm.Emin_Angel_10
00:14
|
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148. |
88bpm.Fmin_GuitHarp_01
00:19
|
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149. |
90bpm.Emin_FiltrPluck_01
00:05
|
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150. |
90bpm.Emin_FiltrPluck_02
00:14
|
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151. |
90bpm.Emin_FiltrPluck_03
00:04
|
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152. |
90bpm.Emin_FiltrPluck_04
00:08
|
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153. |
90bpm.Emin_FiltrPluck_05
00:06
|
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154. |
88bpm.Fmin_Strings_01
00:38
|
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155. |
88bpm.Fmin_Strings_02
00:53
|
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156. |
88bpm.Fmin_Strings_03
00:17
|
|||
157. |
88bpm.Fmin_Strings_04
00:42
|
|||
158. |
88bpm.Fmin_Strings_05
00:28
|
|||
159. |
88bpm.Fmin_Strings_06
00:13
|
|||
160. |
88bpm.Fmin_Strings_07
00:16
|
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161. |
88bpm.Fmin_Strings_08
00:06
|
|||
162. |
88bpm.Fmin_Strings_09
00:05
|
|||
163. |
70bpm.GmyxFlat6_Harp_01
00:21
|
|||
164. |
70bpm.GmyxFlat6_Harp_02
00:18
|
|||
165. |
70bpm.GmyxFlat6_Harp_03
00:08
|
|||
166. |
70bpm.GmyxFlat6_Harp_04
00:13
|
|||
167. |
70bpm.GmyxFlat6_Harp_05
00:10
|
|||
168. |
70bpm.GmyxFlat6_Harp_06
00:21
|
|||
169. |
70bpm.GmyxFlat6_Harp_07
00:24
|
|||
170. |
70bpm.GmyxFlat6_Harp_08
00:16
|
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171. |
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172. |
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173. |
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174. |
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175. |
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176. |
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177. |
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178. |
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179. |
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180. |
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181. |
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182. |
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183. |
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184. |
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185. |
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186. |
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187. |
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188. |
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189. |
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190. |
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191. |
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192. |
||||
193. |
95bpm.Cmin_ChordLoopB
00:30
|
|||
194. |
ChordSet1_A#min
00:12
|
|||
195. |
ChordSet1_D#
00:12
|
|||
196. |
ChordSet1_D7
00:12
|
|||
197. |
ChordSet1_Dmin
00:12
|
|||
198. |
ChordSet1_Fmin
00:12
|
|||
199. |
ChordSet2_A7
00:12
|
|||
200. |
ChordSet2_Cmin
00:12
|
|||
201. |
ChordSet2_D#min
00:12
|
|||
202. |
ChordSet2_Dmin
00:12
|
|||
203. |
ChordSet2_Dmin5+
00:12
|
|||
204. |
SmoothSynthBass_C0
00:03
|
|||
205. |
SmoothSynthBass_C#0
00:03
|
|||
206. |
SmoothSynthBass_D0
00:03
|
|||
207. |
SmoothSynthBass_D#0
00:03
|
|||
208. |
SmoothSynthBass_E0
00:03
|
|||
209. |
SmoothSynthBass_F0
00:03
|
|||
210. |
SmoothSynthBass_F#0
00:03
|
|||
211. |
SmoothSynthBass_G0
00:03
|
|||
212. |
SmoothSynthBass_G#0
00:03
|
|||
213. |
SmoothSynthBass_A0
00:03
|
|||
214. |
SmoothSynthBass_A#0
00:03
|
|||
215. |
SmoothSynthBass_C1
00:03
|
|||
216. |
SmoothSynthBass_C#1
00:03
|
|||
217. |
SmoothSynthBass_D1
00:03
|
|||
218. |
SmoothSynthBass_D#1
00:03
|
|||
219. |
SmoothSynthBass_E1
00:03
|
|||
220. |
SmoothSynthBass_F1
00:03
|
|||
221. |
SmoothSynthBass_F#1
00:03
|
|||
222. |
SmoothSynthBass_G1
00:03
|
|||
223. |
SmoothSynthBass_G#1
00:03
|
|||
224. |
SmoothSynthBass_A1
00:03
|
|||
225. |
SmoothSynthBass_A#1
00:03
|
|||
226. |
SmoothSynthBass_B1
00:03
|
|||
227. |
SmoothSynthBass_C2
00:03
|
|||
228. |
SmoothSynthBass_C#2
00:03
|
|||
229. |
SmoothSynthBass_D2
00:03
|
|||
230. |
SmoothSynthBass_D#2
00:03
|
|||
231. |
SmoothSynthBass_E2
00:03
|
|||
232. |
SmoothSynthBass_F2
00:03
|
|||
233. |
SmoothSynthBass_F#2
00:03
|
|||
234. |
SmoothSynthBass_G2
00:03
|
The Arkanist Lille, France
Ɓєⲁⲧⲥⲅʌƒⲧ & Ⲋꮻꮜƞɗ Ʈɾαƞ⳽ɱυᴛⲇեισɳ
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